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We will be discussing this article by Wesley Morris from the 1619 Project. The 1619 Project is a major initiative from The New York Times observing the 400th anniversary of the beginning of American slavery. The 1619 Project - New York Times Magazine Nikole Hannah-Jones, Wesley Morris, Khalil Gibran Muhammad, Linda Villarosa, Dannielle Bowman, Trymaine, Lynn Nottage, Jeneen Interlandi, Jamelle Bouie, Bryan Stevenson, Djeneba Aduayom, Tyehimba … “The proliferation of black music across the planet — the proliferation, in so many senses, of being black — constitutes a magnificent joke on American racism,” Wesley Morris writes. This event is free and open to all. But I accidentally hit play on the third podcast on “The Birth of American Music” before reading Wesley Morris’s article, titled “For centuries, black music, forged in bondage, has been the sound of complete artistic freedom. Wesley Morris' NYT 1619 project piece flips the script of the German Romantic ideal but still seems to play by it I know there have been any number of conservative writers objecting to the New York Times 1619 project. The project features essays from prominent African-American writers and thinkers like Jamelle Bouie, Wesley Morris, and Bryan Stevenson, among others. Four hundred years ago, a ship carrying between 20 and 30 enslaved Africans arrived in Point Comfort, a coastal port in the English colony of Virginia. Though America did not even exist yet, their arrival marked its foundation, the beginning of the system of slavery on which the country was built. The 1619 Project . The “1619 Project” was written by journalists and opinion writers and aims “to reframe the country’s history” by suggesting America’s “true founding” was when the first slaves arrived in 1619. 1619 Project: Morris. ... Wesley Morris’s essay on music states that American music is black music, and that black music is the sound of freedom. ... Wesley Morris. The 1619 Project Podcast Discussions at FUUN: 1619 Project Podcast Discussions — NEW PLAN. The 1619 Project in The New York Times Magazine opens with these words: In August of 1619, a ship appeared on this horizon, near Point Comfort, a coastal port in the British colony of Virginia. We are going virtual with the last two episodes of the 1619 podcasts. Morris starts at the origins of “yacht rock,” struggles with the top pop hits of 2013 and ends with the success of Lil Nas X. We will listen to the podcast episodes individually, and then join a WebEx audio/video conference to discuss the episode. The 1619 Project from The New York Times launched in August, a major initiative covering the legacy of slavery in the United States that includes a powerful series of essays, reported work, and poetry on race, slavery, and the ongoing ripple effects 400 years after the arrival of African slaves in Virginia. According to Nikole Hannah-Jones‘s Twitter thread, the 1619 Project will include works from some of the most distinguished writers of our time, including Jesmyn Ward, Wesley Morris, Jacqueline Woodson, Kiese Laymon, Rita Dove, Tyehimba Jess, Eve L. Ewing, and Clint Smith. The 1619 Project …